Cautiously, but clearly, I'll give a "Mission Accomplished" to DC's New 52 project.
Earlier Posts on the New 52:
Prior to the New 52, I was reading a handful of DC superhero books, tops, and that might be a generous assessment. I might try this one, or dip into one for a few issues and then dip out, but all told a handful over the course of a month.
For the second month of the New 52, I took upwards of 20 #2s.
And of the 20 #2s I purchased, there are only a couple that have me bailing out of an issue #3, Savage Hawkman the most noticeable disappointment. All of the others, there were some that were picking up steam (the back-up feature in Men of War is growing on me, as an example) and a few that I'm maybe a little doubtful about over the long run (Green Lanterns: New Guardians and Aquaman had iffy moments along the way in their #2s, but ended up leaving me with a good impression and lingering doubts), but overall the quality was holding up. There are even six or eight books from the first week of the New 52 which came out last week with #3s, and I'd say on all accounts that if I picked up those #3s, I would be back to buy the #4s.
If I had concerns along the lines of "well, so I'll buy all of these in September, how many will I still be buying in January" it looks like it will be at least 15, maybe even more. The New 52 will have tripled or quadrupled my monthly purchases of DCU titles.
It isn't just the New 52. There's a new Huntress series by Paul Levitz and Marcus To that came out in the 2nd month of the New 52, and issue #1 (of 6) was terrific.
Which points to another oddity, that there are writers who are doing one book that I'm finding really interesting and then turning around and doing another that is leaving me absolutely cold. Levitz, with the disappointing Legion of Superheroes #1, and then sneaking in with the wonderful Huntress mini-series. Scott Lobdell, with Teen Titans on the credit side and Red Hood and the Outlaws on the debit. That really does surprise me, I'd have expected to find good writers always being good writers and bad writers bad, that's how it works in my day job, but clearly there's a lot more going on in terms of the characters, the overall series conception, the mix with the artwork, where overall the writer is in control but not quite in the unitary single-handed control that we find over the course of working with 40 novels by Simon Green, 25 by a Tanya Huff, Elizabeth Moon or Charlaine Harris.
So yes, it was a Good Thing.
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