So here are some of the things seen at Day #1 of Book Expo America, the biggest trade show for e book publishing industry in the United States...
The Rebellion/Solaris booth gave first look at a finished book copy of Dead of Veridon by Tim Akers, which goes on sale next week. Sometimes a book cover looks different on an actual book than in the steps along the way. This one looks nicer than I might have expected.
The Macmillan Audio catalog has a special "Just Announced" insert page for Mistborn: The Alloy of Law by Brandon Sanderson. Because they hadn't planned to offer a retail consumer product, but I persuaded them to give it a think and they decided that they in fact should. Me happy. Next, trying to persuade them to provide physical consumer product for the original Mistborn trilogy. If you would like to see that, let me know.
Charlaine Harris and Toni L.P. Kelner doing a joint book signing at the MWA booth. Hard to believe, but this is Charlaine's first ever trip to BEA, and tomorrow she is featured at one of the major breakfast events. This is one of those things as an agent that you dream of having clients important enough to be doing.
Roaming about the digital section, with an amazing assortment of eReaders that you haven't heard of, many of which are different than the two years ago eReaders you've never heard of, one of which has an office just a mile or so away from JABberwocky in Astoria/LIC that we've never heard of. Kobo, which is unveiling a new device, is the most prominent in attendance. No Nook or Kindle at BEA, neither is counting on mom and pop outreach or libraries for selling devices. Amazon has a stand for their publishing operations.
The show floor is mixed up from years past. Recorded Books is in the digital section and Tantor is only in the Rigths Center so audio row isn't this year. Major publishers have booths in strange locations. Due to renovations there is a blocked off section in the middle of the show floor which breaks up the expanse.
Who says you don't get free books any more? I picked up around 20 without even trying that hard. My parents and siblings will be getting some care packages!!
On the way over to Javits, seeing the mass market of Brandon Sanderson's Way of Kings in the bestseller facing at Hudson News, which tells me Tor has put some money into getting good display for us on this book.
So just a few quick idle notes...
This past weekend was the Nebua Awards weekend event in DC. IT was a good and well run event, but I find it sad that only around 200 people show up for the awarding of one if the top prizes in SF. No representation that I saw for Orbit or Harper Voyager, as an example. Still I think it was a good networking opportunity for Myke Cole. I got to catch up with David Louis Edelman over good west African cuisine. I wad happy to see an Analog story by Eric James Stone win in one of the short fiction categories because Analog is very important to me, Stan Schmidt is important to me, and Eric James Stone is an author I like. Met a few agent- hunting young writers, so fingers crossed for when their partials arrive.
I could say more about both BEA and Nebulas, but will settle on this for right now.
About Me
- The Brillig Blogger
- A blog wherein a literary agent will sometimes discuss his business, sometimes discuss the movies he sees, the tennis he watches, or the world around him. In which he will often wish he could say more, but will be obliged by business necessity and basic politeness and simple civility to hold his tongue. Rankings are done on a scale of one to five Slithy Toads, where a 0 is a complete waste of time, a 2 is a completely innocuous way to spend your time, and a 4 is intended as a geas compelling you to make the time.
Showing posts with label David Louis Edelman. Show all posts
Showing posts with label David Louis Edelman. Show all posts
Tuesday, May 24, 2011
Friday, September 24, 2010
The Unbearable Darkness of E-Books
So once upon a time, and not that long ago really, I could look at my Nielsen Bookscan numbers and know that I was really and truly getting my weekly report card. Now, it's hard to be sure if I'm even getting an incomplete.
And it's all because of those darned e-books.
With Tanya Huff's permission, let us look at her excellent series of "Valor" military sf novels.
Two years ago when Valor's Trial came out in hardcover, I could very easily look at those numbers and look at the numbers for the hardcover of The Heart of Valor from the year before, and I could see that it was good. Over the first few weeks, hardcover sales of the 2008 release were up something like 40% from the year-before book. And now I'm looking at the release of The Truth of Valor, and that's up by 25% from what The Heart of Valor did in 2007, but it's down 15% from what Valor's Trial did in its first few weeks in 2008. Down 15%!!
Panic time? Well, no...
Let's look at just the Kindle. 2008 it's a novelty item not yet into its second generation just starting to get caught up on the orders from its first several months of existence. Now, though we don't know exactly the Wiki entry for the Kindle reports a number thru the end of 2009 between 1.5 million from outsiders and 3 million from informed insiders. Shall we all agree by now that sales are almost certainly over 2 million? Amazon in its fudgy statistic kind of way has told us it now sells more Kindle books than hardcover books, which isn't exactly the same as saying that Kindle sales outpace hardcover sales on any given book.
And that's just the Kindle. There are millions of iPads sold, and I can iBook Truth of Valor for $11.99 in seconds. And then we've got the Nook and the Kobo and all kinds of other gizmos and gadgets all with apps that allow me to read to my Android from my SmartPhone while sitting on my Desktop and balancing my Laptop with my other hand with all of these devices probably wirelessly syncing to one another.
And there is no Bookscan for e-books, at least not yet. The sales for e-books are totally opaque. Even more opaque than was once the case for print books, where I can visit stores and count copies on Friday vs. copies on Monday.
So what, really, does it mean that the hardcover edition of Truth of Valor is down 15% from the hardcover edition of Valor's Trial? It means nothing, nothing at all!
Did the e-book business also drop 15% like the hardcover did? Well, fat chance of that. I'm certain that more people have purchased e-books this year than two years ago. But by how much? If I think e-book sales have doubled, then a 15% drop is a smaller drop. If I think e-book sales quadrupled, which they may well have, then the 15% drop on Nielsen Bookscan for the hardcover becomes an increase in total sales inclusive of e-books. The 15% "decrease" could actually be a 15% increase, all dependent on those e-book sales increases.
Why can I even contemplate the thought that e-book sales might have quadrupled in two years? Well, for a new book like Tanya's the print sales are still the lion's share of copies sold, but every month more and more little tidbits like these... For Elizabeth Moon's Hugo-nominated Remnant Population, the e-book sold three times the number of copies as the trade paperback on her most recent royalty statement. For David Louis Edelman's Jump 225 Trilogy, which are wonderful very tech-oriented novels very well-suited to an e-book adapting audience (I think they're the first set of books to really take the conceptualization of William Gibson's Neuromancer and bring it along into today), I've seen numbers for Kindle sales that are about equal with the Bookscan scales, so total e-book sales could well exceed those of print.
Hence, when I'm looking at Tanya's statements, there's this big gaping hole of uncertainty where I know the e-book numbers are up but I've no way to fill in that blank right away. And it's hard to even say when I can. Depending on if an e-book vendor reports monthly or quarterly, or with a 15 day, 30 day or 45 day lag, the first royalty statement I get for this book could reflect e-book sales for one month to 30 September of for three months thru 30 November or anything in-between.
Suffice to say, I hate this. I like information, I feast on information, and here I don't know, instead I compare the Kindle store rank to the bookstore rank on Amazon, guess what it means, then read tea leaves. And there are more and more instances like with the new Tanya Huff book where I have to recognize the presence of "known unknowns." And while the example here has a two year gap between books in series, the growth in e-book sales is now so strong that I can't even trust 2010 over 2009 comparisons.
This I can trust: if I negotiate a deal tomorrow with a publisher, and I'm looking at a 5% or 25% drop in hardcover sales, the publisher will almost certainly try and tell me that the sales are down by 5% or 25%, and hope I'll ignore the fact that the e-book sales are up by 300% or 400% and the total sales actually increased by 10%.
Bottom line, more and more, day by day, the print side of things isn't the full story for the publishing business.
If you haven't yet tried Tanya's Valor books, the place to start would be with the DAW omnibus edition of A Confederation of Valor, which has the first two books for just $8.99. Tanya served in the Canadian Naval Reserve, so she knows her stuff. Book Loons says in reviewing The Truth of Valor, "Tanya Huff writes the best space opera around." Night Owl reviews says "the Torin Kerr books are my favorite novels in this genre." And Book Yurt thnks "Torin is definitely who we'd all like to have our back when the shit hits the fan."
And Sept 30, we get word of this rave review from BlogCritics.org "Huff has taken the genre light years beyond what anybody in the past could have imagined it being. This is not just a good book for its genre, it's a good book—period."
And it's all because of those darned e-books.
With Tanya Huff's permission, let us look at her excellent series of "Valor" military sf novels.
Two years ago when Valor's Trial came out in hardcover, I could very easily look at those numbers and look at the numbers for the hardcover of The Heart of Valor from the year before, and I could see that it was good. Over the first few weeks, hardcover sales of the 2008 release were up something like 40% from the year-before book. And now I'm looking at the release of The Truth of Valor, and that's up by 25% from what The Heart of Valor did in 2007, but it's down 15% from what Valor's Trial did in its first few weeks in 2008. Down 15%!!
Panic time? Well, no...
Let's look at just the Kindle. 2008 it's a novelty item not yet into its second generation just starting to get caught up on the orders from its first several months of existence. Now, though we don't know exactly the Wiki entry for the Kindle reports a number thru the end of 2009 between 1.5 million from outsiders and 3 million from informed insiders. Shall we all agree by now that sales are almost certainly over 2 million? Amazon in its fudgy statistic kind of way has told us it now sells more Kindle books than hardcover books, which isn't exactly the same as saying that Kindle sales outpace hardcover sales on any given book.
And that's just the Kindle. There are millions of iPads sold, and I can iBook Truth of Valor for $11.99 in seconds. And then we've got the Nook and the Kobo and all kinds of other gizmos and gadgets all with apps that allow me to read to my Android from my SmartPhone while sitting on my Desktop and balancing my Laptop with my other hand with all of these devices probably wirelessly syncing to one another.
And there is no Bookscan for e-books, at least not yet. The sales for e-books are totally opaque. Even more opaque than was once the case for print books, where I can visit stores and count copies on Friday vs. copies on Monday.
So what, really, does it mean that the hardcover edition of Truth of Valor is down 15% from the hardcover edition of Valor's Trial? It means nothing, nothing at all!
Did the e-book business also drop 15% like the hardcover did? Well, fat chance of that. I'm certain that more people have purchased e-books this year than two years ago. But by how much? If I think e-book sales have doubled, then a 15% drop is a smaller drop. If I think e-book sales quadrupled, which they may well have, then the 15% drop on Nielsen Bookscan for the hardcover becomes an increase in total sales inclusive of e-books. The 15% "decrease" could actually be a 15% increase, all dependent on those e-book sales increases.
Why can I even contemplate the thought that e-book sales might have quadrupled in two years? Well, for a new book like Tanya's the print sales are still the lion's share of copies sold, but every month more and more little tidbits like these... For Elizabeth Moon's Hugo-nominated Remnant Population, the e-book sold three times the number of copies as the trade paperback on her most recent royalty statement. For David Louis Edelman's Jump 225 Trilogy, which are wonderful very tech-oriented novels very well-suited to an e-book adapting audience (I think they're the first set of books to really take the conceptualization of William Gibson's Neuromancer and bring it along into today), I've seen numbers for Kindle sales that are about equal with the Bookscan scales, so total e-book sales could well exceed those of print.
Hence, when I'm looking at Tanya's statements, there's this big gaping hole of uncertainty where I know the e-book numbers are up but I've no way to fill in that blank right away. And it's hard to even say when I can. Depending on if an e-book vendor reports monthly or quarterly, or with a 15 day, 30 day or 45 day lag, the first royalty statement I get for this book could reflect e-book sales for one month to 30 September of for three months thru 30 November or anything in-between.
Suffice to say, I hate this. I like information, I feast on information, and here I don't know, instead I compare the Kindle store rank to the bookstore rank on Amazon, guess what it means, then read tea leaves. And there are more and more instances like with the new Tanya Huff book where I have to recognize the presence of "known unknowns." And while the example here has a two year gap between books in series, the growth in e-book sales is now so strong that I can't even trust 2010 over 2009 comparisons.
This I can trust: if I negotiate a deal tomorrow with a publisher, and I'm looking at a 5% or 25% drop in hardcover sales, the publisher will almost certainly try and tell me that the sales are down by 5% or 25%, and hope I'll ignore the fact that the e-book sales are up by 300% or 400% and the total sales actually increased by 10%.
Bottom line, more and more, day by day, the print side of things isn't the full story for the publishing business.
If you haven't yet tried Tanya's Valor books, the place to start would be with the DAW omnibus edition of A Confederation of Valor, which has the first two books for just $8.99. Tanya served in the Canadian Naval Reserve, so she knows her stuff. Book Loons says in reviewing The Truth of Valor, "Tanya Huff writes the best space opera around." Night Owl reviews says "the Torin Kerr books are my favorite novels in this genre." And Book Yurt thnks "Torin is definitely who we'd all like to have our back when the shit hits the fan."
And Sept 30, we get word of this rave review from BlogCritics.org "Huff has taken the genre light years beyond what anybody in the past could have imagined it being. This is not just a good book for its genre, it's a good book—period."
Labels:
business,
David Louis Edelman,
e-books,
Elizabeth Moon,
iPad,
kindle,
kobo,
Nook,
Tanya Huff
Saturday, June 6, 2009
BEA 2009, Pt. 1
The first comes from inside the Javits Center, where a nice Sookie Stackhouse display was at the front entrance to the Penguin booth. Very nice views of the current DEAD AND GONE hardcover and the True Blood Season 2 tie-in edition cover for LIVING DEAD IN DALLAS. I am very fond of both. And then there was the big, bold, beautiful True Blood billboard on W. 39th St. at the intake into the Lincoln Tunnel, and isn't that a nice way to start and finish the day heading to and from the Javits Center each day.
The next very blurry picture was taken at the Prometheus Books booth. The wonderful Pyr SF line edited by Lou Anders is part of the Prometheus empire, and they had a big poster up for GEOSYNCHRON, the concluding novel in the Jump 225 trilogy by David Louis Edelman. Prometheus was also giving out copies of the new premium-size mass market edition of CROSSOVER by Joel Shepherd, so the JABberwocky list was well-represented in this corner.
At the Severn House booth, it was nice to see the forthcoming historical mystery ANGEL OF THE GLADE by Scott Mackay on their display shelf. And there on the right, I'll also mention Marcia Talley's new book, because Marcia Talley is a wonderful person whom I've known by way of Charlaine Harris for many many years. It always brings a smile to my face when I see Marcia, and it brings a smile to my face to see her book at BEA as well.
Finally, this was a very special BEA because it's the first time in all my years in the business that I had an author officially at BEA, with an official signing in the official signing area and on a panel and totally getting the full royal BEA treatment. So we have a picture of Brandon Sanderson participating in a panel with
Jonathan Tropper for authors of books that had been mentioned in the Editor's Buzz panel the day before, and then we have a picture of Brandon doing his official signing of copies of new novel WARBREAKER while his editor Moshe Feder is standing up in order to take a picture of Brandon's very long signing line. Brandon also had an ALA autographing and did an interview for BookSpotCentral. He and I met up with the people at Macmillan Audio and recorded some video that will be used to promote the audio release of The Gathering Storm. We discussed possible comic book adaptations of Brandon's work with a couple of comic book publishers.
I should have taken pictures at the JABberwocky dinner, where Brandon joined myself, my JABberwocky associate Eddie Schneider (celebrating his first anni on the JABberwocky team, Peter V. Brett, the publisher of Recorded Books, our man in China, our summer interns, and World's Biggest Bookstore bookseller Jessica Strider and her husband at Rachel's. A good time was had by all. It was my first time going to Rachel's, and I will happily go there again. It's convenient to the theater district and the food generally received high marks.
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