11:37 having the presenter do all the encomia for the acting nominees instead of the array of past winners, well OK, not lime the thing they did the past few years is unalterable. But the Best Picture nominees are all lumped into one montage. The producers don't have their names read aloud and have to settle for just type on the screen. And even the Best Picture winers have to deal with music telling them time is too shirt. C'mon, broadcast somewhere around 3:15 you can let the winners for Best Picture have their say.
11:32 why Jurassic Park music of all the films Spielberg has directed
11:31 not in love with his acceptance speech. trying too hard.
11:25 Colin Firth was also great in A Single Man last year.
11:20 unless Jeff Bridges wins in a category that is almost certainly and deservedly going to Colin Firth, safe to say that True Grit is the evening's big loser. Lots of nominations, lots of bos office, no love from Oscar. I didn't like the movie all that muspch save the painterly and stunning cinematography by roger Deakins, certainly not the performance by Bridges. I did love Jesse Eisenberg in Social Network, but as a stutterer myself I can tell you there are bits of the teenage me on the screen in Firth's King's Speech performance.
11:19 she will thank Mr Oster for inventing the blender she blends her protein shakes with in the press room afterward.
11:18 and giving such a boring cliche ridden speech that I would rather be listening to Jar Jar.
11:16 the buzz is right, what would Jar Jar Binks say to have his next door neighbor winning an Oscar?
11:13 Warren Beatty, being the loving husband to Annette Bening. He coulda been a contender, and not just on the football gridiron in Heaven Can Wait. Buzz is Portman, I want Bening.
11:08 Fancy Feast ad it's not, but M&M ad cute
11:02 supposed to be David Fincher's category and is not. Tom Hooper takes it for King's Speech..Well, it's a good movie too, but I am disappointed. But I will plug Hooper's earlier film The Damned United. One of the best sports movies I have ever seen, to where it is hardly a sports movie at all. Bottom line, much as I wanted Fincher and The Social Network to win in this category, I cannot begrudge Hooper the win.
10:52 John Barry, Tom Mankiewicz, Gloria Stuart, William Fraker, Leslie Nielsen, Robert Culp, Lynn Redgrave, Peter Yates, Arthur Penn, Susannah York, Ronald Neame, David Wolper, Jill Clayburgh,, Irwin Kerschner, Blake Edwards, Theoni Aldredge.
10:49 the Lulu German chocolate cake is really good, sorry Jim C Hines but this is the one place where coconut s a good thing. I am a big fan of the Juniors version of this cake but have to make special trip to Brooklyn to buy it. Only problem with liking Lulu version is that they do not always have the same cake lineup so it's not like I can count on having when I am in the mood for it.
10:48 and he is giving such a delightful speech
10:46 found myself rooting for the song from 127 Hours after hearing all four, but I cannot complain to have Randy Newman winning. Hard to believe 20 nominations for him have resulted in so few wins.
10:41 I walked out of Hereafter. I couldn't quite believe I was walking out of a Clint Eastwood movie, but after the wonderful opening scene of the tsunami, the movie gets boring and dull and even worse pretentious. Lots of good talent, Matt Damon whom I always like and Jay Mohr and Eastwood is Eastwood. But my only regret is that I didn't Orleans before the Tube bombing which just sickened me. You have to earn the right to get emotional points out of terrorism, and otherwise you're the worst kind of exploiter. And I sat watching that scene, kind of figured where it was going before I got there, and said to myself that it is Eastwood and he can't be going there. But go there he did. A bitter aftertaste, that's the main takeaway for me from that movie.
10:33 is this four for Inception? And now another well-deserved win for Social Network for editing. I do not often think of editing when I think of a film, but just thinking back to the opening fifteen minutes of this movie, it is hard not to. The crackling conversation between Jesse Eisenberg's Mark Zuckerberg and his girlfriend won't crackle without good editing. Te tension that simmers as the opening credits roll over the walk back to the dorm room, that's a lot due to the editing. I didn't love Social Network the second time I saw it, and yet each new win, each playing of the movie's theme, makes we want to see again.
10:31 bad repartee, nothing new, and white ties that you can hardly tell are there since they fade into the shirts.
10:19 but this musical montage that just finished?
10:16 what a wonderful excited enthusiastic speech from the documentary winner, and yes this of us in NYC are happy to hear NYU mentioned, not sure if I have ever heard NYU in an acceptance speech before. What a great speech.
10:09 the Randy Newman song is nice but sounds like 16 other Randy Newman songs for animated movies. I like Newman, scores for The Natural and Ragtime are bookends at the earlier end of his career but not this. The second nominated song is also nice but sounds vaguely familiar. I gets me humming some other song, something la da da, I can go the distance or something like that, instead of the song itself.
9:59 two wins for Alice in Wonderland? Wow, if Tim Burton entered an Oscar pool he may be the only person with any chance of winning.
9:54 the red velvet "twinkie" at Lulu was quite good but must try and pace myself for the other two treats...
9:51 in fact I think Inception now has the most Oscars on the night. Which will not win Best Picture. Better to have the Fancy Feast ad win than Inception. Which if put into pill form would put Ambien out of business.
9:46 but one of the major changes in Oscar voting in my 30 years paying serious attention to such things is that the awards in smaller categories have become more likely to go to deserving winners instead of the evening's sweeping Best Picture.
9:44 and a pleasant surprise that it won. most of the buzz for this category was that it would go to Alexandre Desplat as part of a King's Speech evening.
9:43 my favorite original score is that for Social Network
9:39 I cannot believe they just took two minutes to talk about the renewal of the ABC license to televise.
9:32 but this is an amazingly competitive category with Geoffrey Rush, Mark Ruffalo in particular both giving worthy performances. I have been watching Christian Bale for close to 25 years since Empire of the Sun, and there as so often he has been overpraised in so-so movies lie that or gone unnoticed in things like Newsies or Swing Kids, which might be the prior movie where I most warmed to him, which I haven't done very often indeed. I am almost surprised at how much I liked him in The Fighter. And listening to his acceptance speech -- Ewan McGregor one hardly sees doing other than a British accent and Christian Bale only seems to be in movies where he does American dialect.
9:31 and he does
9:30 Supporting Actor has to go to Christian Bale
9:19 David Seidler's speech was very nice. I do not think this was the best script in the category, but no complaints. Oh -- the Fancy Feast ad in the last commercial break was better than some movies I have seen over the past hear. The Diet Coke commercial just ended, are they maybe getting a little too full on themselves in Atlanta?
9:15 the adapted screenplay win for Aaron Sorkin for Social Network is expected and well deserved. Sorkin's speech isn't as tightly edited as the movie was.
9:14 Blinded by the white! These two white tuxes together on stage are screechingly awful to look at.
9:06 Toy Story 3 was one of the best films of the year, deserves this, everyone expected it to win. And the winner clearly had his speech prepared, unlike Melissa Leo. Who let me say was really good in Frozen River. Just not, not, not that good in The Fighter.
9:03 More vapid dialogue in presenting the Animated Short. Justin Timberlake deserves better.
9:01 I thought Melissa Leo was one of the least pleasant things in the somewhat overrated (good, just overrated) The Fighter. Jacki Weaver was one of the best things in Animal Kingdom, which you must rent. And Helena Bonham Carter whom I never like was wonderful in King's Speech.
8:58 but credit Melissa with a good adlib.
8:55 pleased that Jacki Weaver was nominated for Animal Kingdom
8:55 please not Melissa Leo.
8:52 making lecherous small talk about Anne Hathaway? Who is writing this thing?
8:51. serendipity, here comes Kirk Douglas.
8:49. I think my biggest regret in the nominations is that Michael Douglas wasn't nominated for Best Actor for Solitary Man. But nobody saw it, and Wall Street Money Never Sleeps some people did see but it wasn't as good a performance and wasn't a fantastic movie.
8:47 I did not like True Grit, but Roger Deakins deserved to win this for True Grit. No sweeps tonight, that's for sure.
8:45 Alice in Wonderland for Art Direction? One film will not win all three awards this year. How many people have this in the Oscar pool.
8:41 first year I cab live blog with an iPad
8:40. Flatter than the dictator's nose after the steamroller in Sleeper.
8:38 The dreidel joke was borrowed from my review of Inception.
8:35 I though the pre-opening opening was a commercial. The opening montage I think is falling flat.
8:25 Once again doing live blog for Oscar night. I am rooting for The Social Network, but it will probably be Best Picture for Rocky done as Masterpiece Theatre. Main course for dinner some brisket from Righteous Urban Barbecue, about to take some mashed potatoes and veggies off the stove to tap off the meal. Desserts tonight come from Lola in Chelsea.
- The Brillig Blogger
- A blog wherein a literary agent will sometimes discuss his business, sometimes discuss the movies he sees, the tennis he watches, or the world around him. In which he will often wish he could say more, but will be obliged by business necessity and basic politeness and simple civility to hold his tongue. Rankings are done on a scale of one to five Slithy Toads, where a 0 is a complete waste of time, a 2 is a completely innocuous way to spend your time, and a 4 is intended as a geas compelling you to make the time.